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   The International Experimental Cinema Exposition (TIE), the highly acclaimed exhibition of avant-garde cinema, hosts three generations of experimental filmmakers, many of whom will be in-person to present new and archival experimental cinema. The 2006 all-celluloid collection includes over ninety 8mm, 16mm and 35mm films that explore beyond the limits of contemporary screen culture.

Curated by Christopher May



October 11th / Day 1

Wednesday, October 11th:

7:30pm  
DUTCH MASTER: FRANS ZWARTJES

Featuring the films:

- SORBET III  (Frans Zwartjes, Netherlands, 1968, 16mm)
- SPECTATOR  (Frans Zwartjes, Netherlands, 1970, 16mm)
- LIVING  (Frans Zwartjes, Netherlands, 1971, 16mm)




Wednesday, October 11th:

8:45pm  
FLOW AND RECALL

Featuring the films:

- CINQUE ONDE  (James Macgillivray, Italy/Canada, 2003, 16mm)
- LAKE OF THE SPIRITS  (Timoleon Wilkins, USA, 1998, 16mm)
- MEDITATION #1. LOST DOG  (Jamie Hull, USA, 1993, 16mm)
- FILM DIARY  (David Borengasser, USA, 2006, 16mm)
- ELSEWHERE  (Luke Sieczek, USA, 2005, 16mm)
- AUGUST LIGHT (FOR EMILY)  (Madison Brookshire, USA, 2006, 16mm)


Wednesday, October 11th:

10:15pm  
DOMESTIC BLIND SPOTS

Featuring the films:

- WHILE REVOLVED  (Vincent Grenier, USA/Canada, 1976, 16mm)
- MURIEL'S SONG  (Grant Wiedenfeld, USA, 2006, 16mm)
- A DREAM IN KODACHROME #25  (Robert Riendeau, Canada, 2005, Super 8)
- CRACKULA  (Scott Banning, USA, 2006, Super 8)
- THROUGH RED WINE  (Dagie Brundert, Germany, 2006, Super 8)
- MORE BREAD FOREVER  (Stephanie Gray, USA, 2004, Super 8)
- SMALL GAUGE POLITICS  (Jason Halprin, USA, 2006, Super 8)
                                                             - BLACK LEEDER  (Jesse Kennedy, USA, 2006, Super 8)
                                                             - DEATH IN STURBRIDGE  (Gustav Aschenbach, USA, 2004-2006, Super 8)
                                                             - PLACID UNTO  (Jeanne Liotta, USA, Super 8)



October 12th / Day 2


Thursday, October 12th:

10:00am  ROUND-TABLE

-OPEN DISCUSSION



Thursday, October 12th:

11:15am  ROUND-TABLE

-MULTIPLE IDENTITIES, MULTIPLE AUTHORS



Thursday, October 12th:

12:30pm  ROUND-TABLE

-35MM AND EXPERIMENTAL CINEMA



Thursday, October 12th:

3:00pm  ROUND-TABLE

-OPEN DISCUSSION




Thursday, October 12th:

5:00pm  
SLOW SPACE

Featuring the film:

- SLOW SPACE  (Klaus W. Eisenlohr, Germany, 2006, 16mm)






Thursday, October 12th:

7:30pm  
FRAGILE WINDOWS

Featuring the films:

- THE SEQUENT OF HANNA AVE.  (Sami Van Ingen, Finland, 2006, 35mm)
- BLOCKING  (Pablo Marin, Argentina, 2005, 35mm)
- GUIDING FICTIONS  (Mark Street, USA, 2002, 35mm)
- ARIADANE  (Barbara Meter, Netherlands, 2004, 35mm)
- JANE'S WINDOW  (Chris Kennedy, Canada, 2005, 35mm)
                                                             - RESTE-LA !  (Frederic Tachou, France, 2006, 35mm)
                                                             - 76-108  (Victor Hoffman, Germany, 2005, 35mm)


Thursday, October 12th:

9:15pm  
PACK, SELECT

Featuring the films:

- VON INNEN, VON AUSSEN  (Albert Sackl, Austria, 2006, 16mm )
- HUSKS  (David Ellsworth, USA, 2002, 16mm)
- TRIPARTITE  (Casey McGuire, USA, 2006, 16mm)
- SELEKTION  (Dietmar Brehm, Austria, 2006, 16mm)
- PENG PENG  (Dietmar Brehm, Austria, 2006, 16mm)
- MEAT PACKING HOUSE  (Eduardo Darino, Uruguay, 1981, 16mm)
- STILL  (Tim Leyendekker, Netherlands, 2004, 16mm)


Thursday, October 12th:

10:45pm  
PENTIMENTO (16mm)

Featuring the film:

- PENTIMENTO  (Frans Zwarthes, Netherlands, 1979, 16mm)








October 13th / Day 3


Friday, October 13th:

1:15pm  ROUND-TABLE

-CONTEXTS OF SEX AND VIOLENCE IN EXPERIMENTAL CINEMA




Friday, October 13th:

3:30pm  
INTROSPECTION PART 2

Featuring the film:

- INTROSPECTION PART 2  (Frank Biesendorfer, USA, 2004-2005, Regular 8mm)



Friday, October 13th:

5:00pm  
INCORPORATION

Featuring the films:

- ASTRUM ARGENTIUM  (Jon Behrens, USA, 2006, 16mm)
- BLOOD OF THE EARTHWORM  (Brittany Gravely, USA, 2006, 16mm)
























Friday, October 13th:

6:15pm  
BEYOND AND ALONGSIDE

Featuring the films:

- THE MAN WHO COULD NOT SEE FAR ENOUGH  (Peter Rose, USA, 1981, 16mm)
- SECONDARY CURRENTS  (Peter Rose, USA, 1982/1990, 16mm)
- FILM FOR INVISIBLE INK, CASE NO. 71  (David Gatten, USA, 2006, 16mm)



Friday, October 13th:

8:00pm  
ARCHITECTURAL ACUITY

Featuring the films:

- SAVE  (Roger Beebe, USA, 2006, 16mm)
- EL DORADO  (Brian Coffey, USA, 2006, 16mm)
- IN AGOSTO  (James Macgillivray, Italy/Canada, 2006, 16mm)
- MARKET STREET  (Tomonari Nishikawa, USA, 2005, 16mm)
- MA:SPACE/TIME IN THE GARDEN OF RYOAN-JI  (Takahiko IImura, Japan, 1989, 16mm)



Friday, October 13th:

9:30pm  
DIRTY AND NARCISSISTIC SECRETS

Featuring the films:

- MY RANCID COCK  (Jason Wade, USA, 2006, 16mm)
- STEAK BABY  (Steve McIntyre, Australia/USA, 1996, 16mm)
- DIRT  (Piero Heliczer, USA, 1965, 16mm)
- JEROVI  (Jose Rodriguez-Slotero, USA, 1965, 16mm)
- MALANGA  (A. Keewatin Dewdney, USA, 1967, 16mm)
- PROGETTI (PLANS)  (Paul Bartel, USA, 1962, 16mm)
- THE SECRET CINEMA  (Paul Bartel, USA, 1966, 16mm)



Friday, October 13th:

11:45pm  
SURREALISMO (Friday-Night After-Party)

Featuring music and cellulod film projections from:

- ITCHY-O
- SEVERAL OTHER ARTISTS, TBA








October 14th / Day 4


Saturday, October 14th:

11:00am  ROUND-TABLE

-OPEN DISCUSSION




Saturday, October 14th:

12:30pm  
LAB FIRES, A NIAGARA PROGRAM (Curated by Christana Battle, Sebastjan Henrickson)


- LAB MOVIE  (Sebastjan Henrickson, Canada, 2002, 16mm)
- FINGER PETALS  (Kelly Egan, Canada, 2002, 16mm)
- FIX  (Michele Stanley, Canada, 2001, 16mm)
- AMIBILIS INSANIA  (Nathan Moles, Canada, 2004, 16mm)
- DEFI DES ETOILES  (Sara MacLean, Canada, 2005, 16mm)
- MIGRATION  (Christina Battle, Canada, 2005, 16mm)
                                                             - NATION  (John Price, Canada, 1998, 16mm)
                                                             - ELECTRIC LIGHT  (Josh Bonnetta, Canada, 2005, 16mm)
                                                             - THE FINITE  (Alexi Manis, Canada, 2004, 16mm)



Saturday, October 14th:

2:00pm  
SUJET

Featuring the films:

- RE: BIRTH  (Shawn Cotter, USA, 2002, Super 8)
- RAPT  (Shawn Cotter, USA, Super 8)
- WINTER WEATHER AND MY SOUL - PART 1  (Jason Halprin, USA, 2006, Super 8)
- ANGEL DUST, FRAMMENTI DALL'EREDITA PONTI / FRAGMENTS FROM THE PONTI LEGACY & ANGEL DUST II, DENVER ART (Francois Boue, Italy/USA, 2001/2005, Super 8)



Saturday, October 14th:

4:00pm  
PEUR JOU JOU

Featuring the films:

- 8 SUPER VOILENT FILMS  (Thorsten Fleisch, Germany, 1993-1997, Super 8)
- MOTHER (REVISED)  (Luther Price, USA, 2002, Super 8)
- VASECTOMY  (Jason Wade, USA, 2006, Super 8)
- INTROSPECTION PART 1  (Frank Biesendorer, USA, 2004-2005, Super 8)




Saturday, October 14th:

6:00pm  
A DISPLAY OF CATHARTIC EFFLORESCENCE

Featuring the films:

- NOSTOS  (Sheri Wills, USA, 16mm)
- AVIARY  (Sheri Wills, USA, 16mm)
- FEVER  (Sheri Wills, USA, 2000, 16mm)
- ANODYNE  (Sheri Wills, USA, 2001, 16mm)
- ACETYLENE  (Sheri Wills, USA, 2001, 16mm)
- NOCTURNE NO. 1  (Sheri Wills, USA, 1999, 16mm)
                                                             - NOCTURNE NO. 2  (Sheri Wills, USA, 1999, 16mm)



Saturday, October 14th:

9:00pm  
LUTHER PRICE - NEW 16MM FILMS

Featuring the films:

- DIPPING SAUCE  (Luther Price, USA, 2005, 16mm)
- INSIDE VELVET K  (Luther Price, USA, 2006, 16mm)
- FANCY  (Luther Price, USA, 2006, 16mm)
- DOMESTIC BLUE  (Luther Price, USA, 2005, 16mm)















Saturday, October 14th:

10:30pm  
BEACH BEAST

Featuring the films:
- BEACH BEAST  (Bill Storz, USA, 1991, Super 8)









October 15th / Day 5


Sunday, October 15th:

11:15am  
LIVING

Featuring the films:

- ROOTS/THORNS (Diane Kitchen, USA, 1993, 16mm)  
- PASSING BY HARRY (James Prange, USA, 2006, 16mm)  
- LAY DOWN TRACKS (Danielle Lombardi/Brigid McCaffrey, USA, 2006, 16mm)



Sunday, October 15th:

1:30pm  
WHERE AM I?

Featuring the films:

- A DARKENING SLUMBER (Gregory Godhard, Australia, 2006, 16mm)  
- IGNORANCE BEFORE MALICE (Sandra Davis, USA, 2001-2006, 16mm)  
- ORBIT (Kerry A. Laitala, USA, 2006, 16mm)  
- BLUE-UP (Jorge Lorenzo, USA, 2005, 16mm)  
- AUGENBLICK N 38 (Telemach Wiesinger, Germany, 2006, 16mm)



Sunday, October 15th:

3:00pm  
FREEZE POUR GLIDE DISSOLVE

Featuring the films:

- CARELESS REEF PART 2 (Gerard Holthuis, Netherlands, 2005, 35mm)  
- ELEMENTS (Dariusz Kowalski, Austria, 2005, 35mm)  
- RAIN DROPS NO.7 (Jason Graham, USA, 2006, 35mm)  
                                                             - L'ECLAT DU MAL / BLEEDING HEART OF IT (Louise Bourque, Canada, 2005, 35mm)  
                                                             - VANISHING POINTS (Nana Swiczinsky, Austria, 2005, 35mm)



Sunday, October 15th:

4:30pm  
THE POSTNATURAL PLANE

Featuring the films:

- BLACK AND WHITE TRYPPS NUMBER ONE (Ben Russell, USA, 2006, 16mm)  
- AUGENBLICK N 19 (Telemach Wiesinger, Germany, 2006, 16mm)  
- THE GENERAL RETURNS FROM ONE PLACE TO ANOTHER (Michael Robinson, USA, 2006, 16mm)  
- LIFE IN A TINY TOWN (Jason Livingston, USA, 2006, 16mm)  
- TRANSAENSION (Dan Baker, USA, 2006, 16mm)  
- AND WE ALL SHINE ON (Michael Robinson, USA, 2006, 16mm)  
                                                             - BLACK AND WHITE TRYPPS NUMBER TWO (Ben Russell, USA, 2006, 16mm)



Sunday, October 15th:

6:30pm  
THE ILLIAC PASSION


- THE ILLIAC PASSION (Gregory Markopoulos, USA, 1964-1967, 16mm)






Sunday, October 15th:

10:00pm  CLOSING NIGHT SOIREE

-V.I.P. Invite Only



To be scheduled during festival: PIN WHOLE SERIES APPLICATION 1: BULB

by Jorge Lorenzo

By squeezing the possibilities of the medium, this installation comments, experiments, and defies the reproducibility of film and its traditions of (1) watching a recorded event on film by (2) avoiding the film’s viewing.





On-going exhibit during entire festival: FORBIDDEN FILM

by Thorsten Fleisch

I found this film can while I was taking photographs for locations for my new film 'dromosphere'. it was lying in the woods covered by some leaves and dirt. underneath the film can was a small leaflet with the title 'der verbotene film' on the cover. inside lots of diagrams, tables and equations caught my eye while I was quickly browsing through it. upon further reading it was mentioned that opening the can would bring destruction and disease upon mankind. the author was going on at great length about the mayhem that was coming to the human race should this can ever be opened. I only skipped through it quickly as it was very cold and I already spent several hours taking pictures.


back home I put the leaflet on my heater to dry as it was a bit wet and the film can in my shelf. I left my apartment to meet a few friends in a bar and told them about what just happened but they were only mocking me. they didn't understand the responsibility that came with this find. the words about the danger this dreadful can poses should it be opened reverberated in my mind on my way back home.

as I came near my apartment I smelled smoke. I ran up the stairs and quickly opened the door. fortunately there was no fire, only lots of smoke. unfortunately the leaflet I left on the heater was no more. strange, how could it have caught fire?

now with no information about this verboten film I can only speculate about the danger. after thinking about it for several weeks here are my conclusions:

this film can holds no film but an explosive device that goes off when opened. however, I remember the author of the leaflet was warning not of an explosion but of something terrible that will be released upon the whole of mankind. not just some individuals that get blown to pieces. and also, why would someone put an explosive device in a film can in the first place?

2. this film can holds no film but a virus or bacteria that will give death and disease to those close to the can. after infecting them it will spread to others endangering the human species. possible. but still, why in a film can? maybe the scientist working on it had to hide it very quickly and it was just there, came in handy when he had to smuggle it out of the research facilities for whatever reasons.

3. this film can is cursed. we know these things have happened before. one has only to think of those legendary egyptian curses. usually a curse only affects a small circle of people near to the cursed item but maybe this can was cursed by means and knowledge that weren't available before so it will affect the whole of mankind. it could be that the author of the leaflet cursed the film can himself or he witnessed the item being cursed by someone else.

4. this film can indeed holds a film. a film so deadly, so deviant it had to be hidden from this world. it could be the ultimate misanthropist propaganda movie that infects the minds of those who watch it to a degree that it instills an instant desire to kill. kill the next fellow human nearby and copy the film to the thousands to make more people watch it and execute the filmmaker's vicious vision of doom.

I will probably never find out the truth about this film but I will take it upon myself to guard my find and shield it from evil forces whatever the costs. nobody will be given the chance to open this film can and bring death and destruction upon mankind as long as I live.

[march 16th 2006]

to make sure nobody opens the can I today torch-brazed it shut. it is now safe unless extreme force is applied. at least nobody can open it now by accident.

[april 10th 2006]

I received some threatening letters because of the film. at first I didn't take them seriously but now with more and more coming in each day I have to admit that I am a bit worried. what if it would fall into the hands of a dangerous psychopath? it must be avoided at all costs!

[july 10th 2006]

the daring guys from the TIE festival in denver will exhibit 'der verbotene film'. it will be on display at starz filmcenter during the festival in october. they've assured me that it will be savely guarded during the exhibition. I have to admit it's not easy to give the film away for even a short time. it worries me that so many people will be so very close to it. on the other hand it lifts a bit of the pressure of guarding it myself all the time.



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